Regal Noise

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Music

“Goodness Of God (live mix)“ by Serayah with Babyface|live mix of 'Goodness of God' from feature film "Ruth and Boaz" (2025) “You Can Do Magic (roughing it 2025 mix)“ by Seeds Of Wishes|Produced by Aron "Bugsy" Siegel “Lies (2024 remix)“ by Amanda Scott|Remix and Additional Production - Aron "Bugsy" Siegel; Randy "Spike" Dethman “They're Coming To Take Me Away“ by Men In White|Produced by Aron "Bugsy" Siegel, Alan White “Everything is Music -- Dance Mix“ by Jayne Doe|Mix and Additional Production - Aron "Bugsy" Siegel; Randy "Spike" Dethman “Hush“ by Linda Susan|Mix by Aron "Bugsy" Siegel; Randy "Spike" Dethman “The Lion Sleeps Tonight (remix)“ by Lia|Mix and Additional Production - Aron "Bugsy" Siegel; Randy "Spike" Dethman “Light My Fire/Fire“ by Jayne Doe|Mix and Additional Production - Aron "Bugsy" Siegel; Randy "Spike" Dethman “Who's Looking Back (remix)“ by Vince Capretta|Mix and Additional Production - Aron "Bugsy" Siegel; Engineer - Trent Reznor “Blue Lights (remix)“ by Jayne Doe|Mix and Additional Production - Aron "Bugsy" Siegel; Randy "Spike" Dethman “Yo-Yo (remix)“ by Lindi|Mix and Additional Production - Aron "Bugsy" Siegel; Randy "Spike" Dethman “When Two Worlds Collide“ by Jayne Doe|Mix by Aron "Bugsy" Siegel “Dancers (remix)“ by Atlanta All Stars|Mix and Additional Production - Aron "Bugsy" Siegel; Randy "Spike" Dethman “Give Up, Give In“ by Linda Susan|Mix and Additional Production - Aron "Bugsy" Siegel; Randy "Spike" Dethman

Technical:

Experience in multi-track recording and studio production. Experience with various audio consoles including Harrison, MCI, Trident, Fostex, Biamp, Soundcraft, Hill, Peavey, Mackie, and Yamaha. Experience with various brands of sound modules including Roland, Yamaha, Ensoniq, and Korg. Experience with various signal processors including Lexicon, Yamaha SPX series, Eventide, Rane, DBX, Biamp, Urei, Alesis, ART, Drawmer, and Aphex. Experience with various samplers including AKAI and Numark. Experience with various microphones and miking techniques. Experience with acoustic reverb units. Experience with MIDI transfers and MIDI sequencing programs including Sequencer-Plus, Texture, Cu-base, Performer, and Master-Tracks Pro. Editing skills with digital, 1/4 and 1/2 inch audio. Music theory/composition background. Records pressed for promotional and commercial purposes worldwide.